Saturday, August 18, 2018

The Annual Dance Of The Giglio Held In East Harlem



East Harlem, Manhattan, August 12, 2018 - Sometimes traditions die a difficult death due to indifference or a difficulty to keep them. In East Harlem in Manhattan, this clearly is not the case. The annual Feast of the Our Lady of Mt Carmel that’s culminated with the ‘Dance Of The Giglio’ on the second Sunday of August honoring St. Anthony, is still going strong thanks to the Giglio Society of East Harlem.
The feast that’s held between E114 and E116 streets and between 1st Avenue and Pleasant Avenue, is a tradition by Italians and Italian Americans which has all the elements from years gone by, ranging from religious observances to the celebratory. Traditional holiday foods such as zeppole (fried bread batter) and sausage heroes continue to be the gastronomic staples next to the kiddie rides of yore.
By definition, the East Harlem Giglio Society is a diverse religious and cultural organization of Catholics of Our Lady of Mt Carmel Shrine Church in East Harlem New York City. Under the auspices of the Catholic Church and the United States Catholic Conference, they are dedicated to honoring and encouraging devotion to their patron Saint Anthony of Padua by organizing and producing the annual Giglio feast and procession.
The Society’s mission includes the preservation of Italian American traditions, culture, history and
heritage. East Harlem was once the largest Italian neighborhood in the United States. This area is one of the most underserved and poorest communities in New York City, by supporting, both morally and fiscally via the Catholic Church and the neighborhood’s other non-profit institutions which seek to improve the lives of neighbors and community members.
The origins began in 409 AD. Paulino was a rich man in Nola, Italy a suburb of Naples. He gave up his worldly possessions such as money and land for the betterment of everyone in the community. The Moors came and stole all the men onto a ship and were taken to modern day Turkey. Paulino negotiated for the freedom of the men after the women of the town went to Paulino and asked him to do something about their plight as there was no one around to provide food for the town. He offered himself in exchange for the others saying that he was more valuable than the men they captured. Upon his return to Nola, the residents greeted him with white lilies (giglio in Italian).
The origins began in 409 AD. Paulino was a rich man in Nola, Italy a suburb of Naples. He gave up his worldly possessions such as money and land for the betterment of everyone in the community. The Moors came, stole all the men and held them hostage onto a ship and were taken to modern day Turkey. Paulino negotiated for the freedom of the men after the women of the town went to Paulino and asked him to do something about their plight as there was no one around to provide food for the town. He offered himself in exchange for the others saying that he was more valuable than the men they captured. Upon his return to Nola, the residents greeted him with white lilies (giglio in Italian).

According to their website (https://www.eastharlemgiglio.org), the beginning in the 1880s, Italians began emigrating from Southern Italy (also known as the Mezzogiorno) for the promise of a better life for themselves, their families and their descendants. Many of those leaving Italy were peasant farmers that had little money left over after the land owner was paid his annual rent. Clearly the ‘New World’ offered many possibilities and the phrase that ‘the streets were paved with gold’ concept became motivation for improvement for their lot in life. This trend grew around 1900 as many starving and hungry families sold everything for the opportunity for a bright future.
After a month-long voyage across the Atlantic Ocean, this area of Manhattan is the original landing place for these immigrants as many settled on the same streets in East Harlem with the members of their old ‘home towns’ in Italy. In the instance of the immigrants from the town of Brusciano, Italy, (near Naples) many settled here with their traditions and little else but one thing they brought with them was this annual feast.
This is the third location of the feast. In 1908, the first Giglio Feast in East Harlem was held on 106th Street by members of the Bruscianese Society and this continued until 1955.  In 1957, it moved uptown to 108th Street where it continued until 1971 when it stopped.
In 2000 on the second Sunday in August, the Dance of the Giglio celebration returned to East Harlem as a Cooperative Feast with the Shrine Church of Our Lady of Mt Carmel also honoring St. Anthony (Sant' Antonio in Italian).
Aside from the multi-story giglio carried on the shoulders of adults led by capos (organizational leaders), a giglio for the youth of the Society is also built to have younger successors pick up where the adults leave off when they get older. The giglio towers are built with a wood frame at the beginning of the month.
The 4-day event that’s culminated with the dance, is a reminder of the past and tradition to be carried going forward into the future.
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 Photo/story by Joseph M. Calisi ©2018 All Rights Reserved

Wednesday, August 1, 2018

FIAO's Italian Nights 2018 In Athens Square Park

Astoria, NY, August 1, 2018 - Summers in Astoria, Queens means Wednesday nights with Italian and other popular music in Athens Square Park from mid-July thru August every year. Tonight, Antonio Guarna played and sang Neapolitan classics, Italian pop music many American pop hits as well. Tonight's event was presented by the Astoria-Long Island City Kiwanis club. Astoria is one of the areas Italians settled in decades ago and many still reside in.

The Federation of Italian-American Organization of Queens (FIAO) which was founded in 1971, provides Italian-Americans with a reminder of their cultural heritage that also gives them a unified voice and mission in the community. This mission began more than 40 years ago.

FIAO provides many services not just to those of Italian descent but also to non-Italians as well. Immigration assistance, Italian language classes as well as participation a 5K race and the Columbus Day Parade are activities this group participates in and performs annually.

Additional information on FIAO is available at: https://www.italianfederation.org/

      Story and photos by Joseph M. Calisi (c)2018 All Rights Reserved

Saturday, June 30, 2018

Italian Artist Paints In Grand Central Terminal

Manhattan, May 28, 2018 -
Artist Marco Luccio, who now hails from Australia, creates his own artwork in GCT and paints in the Main Concourse. He performed his painting outside the gate where Amtrak's Empire Service was using New York's Grand Central Terminal during the May 26-September track work in NY Penn Station and Spuyten Duyvil Bridge repair this summer.


His family originally came from Benevento, Italy (near Naples). His website is: www.MarcoLuccio.com.




         Photo and story by Joseph M. Calisi (c)2018 All Rights Reserved

Thursday, June 28, 2018

Verrazzano Monument Restored To Glory At Battery Park



Lower Manhattan, October 21, 2015 –
The monument honoring Giovanni da Verrazzano that had been sitting in mothballs for decades, has been restored for the public to enjoy along the northern stretch of Battery Park in Lower Manhattan. On Wednesday, October 21, 2015, the original look to the monument was finally completed. The spelling of the Verrazzano name is correct with a double ‘z’.
According the Parks Department employees on the scene, it took a lot of work to get it back together in original condition as the sculpture designed by Ettore Ximenes that was originally dedicated on October 9, 1909. The original monument had been disassembled and ‘trimmed’ creating a smaller sculpture about two-thirds its original size. The statue ‘Discovery’ had been vandalized and the torch stolen. Utilizing photographs of the original setup, a new torch was built and the complete Verrazzano reattached to its intended design.
To those watching the work being performed, the most common comment made was not the monument itself, but the spelling of the name when compared to the bridge spanning Brooklyn and Staten Island. The Italian explorer Giovanni da Verrazzano was born in 1485 at the Castello Verrazzano in Greve which is near Florence, Italy. The French hired him to lead the Duaphine to discover an alternate route to the Far East in 1523. It was on this exploration that Verrazzano became the first European to explore New York Harbor in the New World – well in advance of the Dutch settlement a century later. He explored the east coast of North America and the Carribean before being killed by natives in 1528. His notes called Cellere Codes, is located at the Morgan Library in Midtown Manhattan.
The hiring of Italians to lead exploratory expeditions at the time wasn’t new – the Spaniards hired Christopher Columbus and the English hired Giovanni Cabotto (Anglicized to John Cabot). Venice and Genoa were the leading European traders with the Far East for spices, silk and produce.
The monument has an interesting history. It originally debuted as part of the 1909 Hudson-Fulton Celebration. Carlo Barsotti, the editor of the Progresso Italo-Americano newspaper, conducted a fund-raising effort to honor the explorer. The result of Barsotti’s efforts led to the mounting of the monument near the northeastern entrance of the park and facing New York Harbor where the explorer first saw what is now known as Lower Manhattan.
The newspaper published for over a century.
The monument was removed and placed into storage by the City of New York about 20 years later.
In the early 1950s, the founder of the Italian Historical Society, John N. LaCorte began to clamor for the re-establishment in Battery Park. After not taking no for an answer, it was reassembled as a ‘modernized’ version where the sculpture was reduced in size just to the south of where the fountain near Castle Clinton is located, replacing the New York Aquarium. It was removed for the building of the Brooklyn-Battery Tunnel in the 1940s when depression-era campers set fire to the monument and it went back into storage at the parkhouse near the ferry terminal. In the 1990s, John N. LaCorte’s son took up the reins of bringing the Verrazzano monument back to glory with a new fund-raising effort as well as leading the Italian Historical Society.
The completion of the restoration to glory for the Verrazzano monument this past Wednesday was a long time coming, just in time for the end of Italian History and Culture month.